CAST
Robin Hood – Antony Carter
Maid Marian – Joanne Mcminn
Jack – Ian McLean
Jill – Megan Pattie
Nurse Bedpan – Will Pollock
Fairy Bluebell – Holly Steel
Sheriff of Nottingham – Iain G Condie
Child Catcher – Susan McMahon
Teanie – Marianne Gunn
Beanie – Graeme Mackay
Ringmaster – Lewis Kerr
Town Crier – Neal Maccowan
Sam – Peter McKenna-Boyd
Dopey Dan – Jim Murray
Sadie – Catherine Ross
Swot – Natalie Cavoura
Stranger – Neal Maccowan
Director – Robert Fyfe
Musical Director – David Dunlop
Choreographer – Eleanor Weir
Since the tender age of 2 I have been entertained by Runway Theatre Company‘s pantomimes, and the 2016 production of Robin Hood and the Babes in the Wood was no exception.
As ever, we were entertained by an excellent cast, hilarious jokes, and a show full of upbeat musical numbers. Runway Theatre Company once again impressed audiences at Eastwood Park Theatre. Antony Carter was cast as the hero Robin Hood, which allowed him to display his talented vocals alongside the feisty Maid Marian played by Joanne McMinn, who continues to go from strength to strength each year.
Ian McLean and Megan Pattie made a great duo as the babes, providing many laughs as did Teanie (Marianne Gunn) and Beanie (Graeme McKay) who both had a brilliant rapport on stage. Once again Will Pollock played the role of the dame, producing some brilliant one liners. Holly Steel played the part of Fairy Bluebell. This part allowed her to show her excellent dance abilities in particular. Iain Condie returned to the role of the villain as the menacing Sheriff of Nottingham who always had a sarcastic quip and was ably assisted by the other “baddie” – The Child Catcher wickedly played by Susan McMahon.
There was never a dull moment in this show, especially when the whole cast are on stage together as the entire ensemble and dancers are so energetic and full of talent that the audience gets the sense of fun and joy that you should always have when watching a pantomime. One of the main things about panto is the audience participation. This is something that Runway Theatre Company have utilised expertly in the past and this production was no different as they managed to get everyone in the audience aged 8 to 80 involved.